Dutch botanist Hugo de Vries gained global fame in the first decades of the twentieth century for being the guy who finally figured out how evolution worked. Today he is all but forgotten. Should he stay that way? Or are their good reasons to remember “dead end” scientific theories and the people who loved them?
Most of us think of conservation and ecology as more or less the same thing, with conservation the first step toward the restoration of an ecologically balanced state of nature. But through the first half of the twentieth century, the two words signified quite different things.
January 6, 2011 Historian Audra Wolff has completed the Herculean task of creating a folder-level list of the contents of the Bentley Glass archive at the APS – all 90 linear feet of it! See her note on Facebook. Interested scholars are invited to email Wolfe for a copy. Glass apparently saved every scrap of…
June 24, 2010 For most of the last 25 years, Howard M. Parshley, translator of the first English edition of Simone de Beauvoir’s The Second Sex (1953), has been cast as a saboteur of second-wave feminism. In a 1983 article, Margaret A. Simons characterized Parshley as a barely bilingual hack, ungrounded in philosophy, and bored…
The sculpted busts of “early man” by J. H. McGregor, and the paintings of Neanderthal flint workers and Cro-Magnon artists by Charles R. Knight, alchemized imaginary beasts of centuries past into icons of progress that carried the imprimatur of science. But the narrative they supported was conflicted from the start. Created between the years 1915 and 1920 under the guidance of Henry Fairfield Osborn, director of the American Museum of Natural History, the images were designed to both celebrate scientific progress and alert visitors to the museum’s “Hall of the Age of Man” of an impending eugenic crisis. Osborn believed humans had reached an evolutionary peak in the caves of Lascaux, but that racial mixing was threatening to drag the species back.
It was a downer of story, and the visiting public, or at least the white public, happily skipped past it. Instead they saw in Knight and McGregor’s images visual confirmation of their own racial, cultural and scientific superiority.
November 29, 2009 In the 1950s and 1960s, Moon, Mann and Otto’s Modern Biology was the most popular high school biology textbook in the country, commanding upwards of 50% of the market. It was also among the most retrograde and out of date. Scholars have criticized the book for its weak presentation of the topic…
November 24, 2009 As we celebrate the 150th anniversary of the publication of Darwin’s On the Origin of Species, I thought I’d take the opportunity to note that though the image of Darwin we share today, that tired but steadfast symbol of rationality and science, dates back only to the 1950s, not 1850s (see Janet…
September 13, 2009 Amram Scheinfeld’s 1939 You and Heredity was a bestseller, a hit not only with the general public, but also with life scientists. It was rightly lauded as an excellent layperson’s primer on the state-of-the-art in human genetics and heredity, and a serious critique of the racist, nativist and even anti-homosexual sentiments common…
July 4, 2009 In its obituary, the Washington Post described Bentley Glass (1906-2005) as a “peripatetic figure in the 1950s and 1960s,” a man who seemed to be everywhere and advising everyone. In other obituaries Glass was described as “provocative” and “outspoken.” Editors of course made note of Glass’ more controversial comments, such as his…
July 3, 2009 I was not taught much of the history of eugenics in school, but I somehow absorbed that it was an “old” idea, one that had been thoroughly discredited once the horrors of the Nazis were exposed. So it came as a bit of a surprise to find that many American high school…